Movies: Apichatpong Weerasethakul

"A ghost band only plays at night and in dreams. Tilda and Sam are carried away by their song as they practice birth and death in the realm of no time." (Weerasethakul)...

Described as being based on Weerasethakul's dreams....

Short for his website, kickthemachine....

Tilda Swinton, a British actress and friend of Weerasethkul, organized Film on the Rocks, a film festival in the Maldives where she invited the artist to take part in the project. While he was with her, Weerasethakul asked Swinton to recall her dream...

Made for 'Short Films for the King Bhumibol Adulyadej's 80th Birthday', 2007....

Cactus River is a diary of the time Apichatpong Weerasethakul visited a newlywed couple near the Mekong River....

An insightful documentary about Thai cinema, which features a colourful and long running film history, yet struggles as the industry attempts to move forward. This film examines the past and focuses on the Thai New Wave since 1997 by combining film c...

An omnibus project examining, well, the state of the world....

The story based on the mysterious portrait of the town of Nabua in northeastern Thailand. Soon after nightfall when the crepuscular violets concede to blackness, the wind's rustling intensifies and the boys come out to play....

Durmiente shows Tilda Swinton, the lead actress of Memoria, sleeping in a bedroom as the shadows grow longer....

"Even with your eyes open, you can't see anything. You are a part of the earth's limitless manifestations." (Weerasethakul) These stones taken from the Chiang Dao Cave would sometimes spur the artist to contemplation, recalling the "obscurity of the...

Produced for the Thailand Biennale, Chiang Rai, (2023), « Solarium » was inspired by a 1981 horror film, « The Sunken-Eyed Ghost », by Thai director Komarachun. This installation places the public in the mindset of the protagonist, a ghost seeking hi...

Before Weerasethakul makes a new feature film, he conducts thorough research related to the topic of his interest. For his feature film, Tropical Malady, Apichatpong asked his colleague Ton to visit the army in the Kaeng Krachan Dam area to study the...

One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for h...

Glistening objects from a jewelry collection inspired by carnivorous plants are transformed into a colourful sea of garden creatures through hand-drawn animations of roots, insects and various other organisms. A loving tribute to Weerasethakul's moth...

Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. ...

Invisibility displays Weerasethakul’s continued interest in the issue of perception and memory. The installation takes threads from his recent films, Cemetery of Splendor and Fever Room, both of which feature the same actors. Here, he takes them deep...

The original footage in Father was shot in 2003 by Weerasethakul’s brother when their father was undergoing kidney dialysis. Forever stuck in his memory, the artist reuses the footage here as well as in a prominent scene in his feature film Uncle Boo...

Home is a portrait of Apichatpong Weerasethakul’s house in Chiang Mai, during monsoon season....

Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema....